Skip to main content

Replies sorted oldest to newest



We’re Gonna Play Until the Sun Goes Down

Bruce Springsteen and the E Street Band
Olympiastadion, Helsinki, Finland, June 16, 2003

By Erik Flannigan

Come on up for the rising. At long last, the first live archive release from the Rising tour is here: Helsinki, Finland, June 16, 2003.

What took so long? Let’s address that right off the bat.

The detailed answer is quite technical in nature, but in a nutshell, Rising tour recordings were made on what was then a state-of-the-art DSD (Direct Stream Digital) system, the first to offer high-resolution audio in an easily transportable, multi-track recording unit. But 15 years later, the proprietary nature of the software and hardware elements in that system have caused what might best be described as forward-compatibility issues, making it challenging to restore the original recording files. Helsinki is the first successful result of ongoing efforts over the last several years to address the problems.

Listening to the show now, one would never know how difficult it was to recover the multi-track recordings, as Jon Altschiller’s crystalline mix shines brilliantly and brings out fine details in the lush arrangements of the Rising material featured. Helsinki is a Rising showcase, offering nine songs from the album performed with gravitas befitting much of the subject matter.

While but one tour removed, the spirit captured in Helsinki is quite distinct from that of Chicago ‘99 released last month. The playing is equally accomplished, but there is more narrative unfolding, more stories being told in a very intentional manner. It makes the contrast between heavier material like “You’re Missing” and “Into the Fire” and that of lighter fare like “Mary’s Place” stark, with the night’s high-spirited songs offering release and relief, recognition that there is light beyond the darkness. Different tour, different mission.

Exemplary of this solemn and bold approach is “Into the Fire,” which opens with Patti Scialfa’s haunting vocalization and Springsteen’s most direct lyrical reference to 9/11. When the band kicks in majestically before the second verse, we can only marvel at the sympathetic support. Nils’ pedal steel bends expressively throughout, and while she has performed with the E Street Band ever since, Soozie Tyrell’s contributions have never felt more vital. She’s the musical lynchpin of the song, and she pulls significant melodic weight all night long. Even “Dancing in the Dark,” performed in what is otherwise its purest form since the 1984-85 tour, deftly downplays synthesizer in favor of Tyrell’s violin carrying the melody.

It seems apropos that nine Rising songs are paired with seven from Born in the U.S.A. Sure, this is Bruce and the band’s first-ever show in Finland, so drawing from their most popular album makes sense. Yet the incorporation of so many tracks from both records also suggests that their characters and stories are intertwined, that the people who inhabit “My Hometown,” “No Surrender,” and “Glory Days” went on to experience what unfolds across The Rising later in their lives. Hearing so much from both chapters of that narrative makes Helsinki powerful.

Powerful is a word that stays top of mind listening to the full 25-song set, which by Springsteen standards is as focused and straightforward as any I can recall — with the exception of a delightfully shambolic “Ramrod,” which rolls on for more than 12 minutes including an extended piano solo by Roy Bittan.

The evening’s catharsis peaks with “My City of Ruins,” its gospel-tinged musical cleansing perfectly positioned as a restorative in the encore and the ideal segue to the life-affirming “Land of Hope and Dreams.” A potent pairing.

On its debut, the Helsinki audience impresses, singing along and responding passionately, as evidenced by the call and response at the end of “My Hometown.” The same can be said of the band, performing with utter confidence and control.

As for Springsteen himself, he sets the tone for the night at the start with his bluesy, solo-acoustic “Born in the U.S.A.,” a version that is impassioned and world-weary all at the same time. Informed by that prelude, there’s a sense of purpose to this performance, a commitment to telling stories that reflect some of our darkest and lightest moments. And that is the essence of the Rising tour.


living is easy with eyes closed

Last edited by desa33

One of the worst gigs I've seen (by any artist). At least we got a rarity like the River (yes, it was a rarity on that tour). Out of all Rising shows they decided to release the first Helsinki concert. Audience was cheerful as witnessing a funeral, in a cold rainy weather. Bruce was on autopilot. I questioned my fandom after those two shows big time.

I sort of get the feeling that the tag line for this release is:  "'s...something from the Rising tour".   

It's an utterly forgettable release.  I listened through it yesterday, and it's just...meh.  I hate stadium releases.  The tempo of the songs is slow - and they are over-sung.  Seven Nights to Rock should just be given a shovel.  It's just terrible. 

But hey, they only had this to release, and they want to document the Rising tour.  I get it.  But I do not recommend buying this, unless you are a completist fool like I am.  



DenverBrian posted:

I was really looking forward to the first Rising release but I am going to pass on this.  7 BITUSA songs?   Combine that and the crowd seems to be completely mixed out (they may not have ever been there).

Well I was there for sure ... and the only thing good at this show (besides the beautiful blond girl next to me) was the way the list/line worked and how they let us into the stadium.

'I wanna be where the bands are'

Last edited by 7nights2003

Possibly the worse show of the 2003 leg of the Rising tour - Bruce by numbers. If they were going to go for a European show why in heaven's name did they not go for Milan, where despite the awful conditions Bruce delivered a killer show supported by an amazing audience. Also, it would have given our video experts the opportunity to redub Pete's amazing video of the show .

Last edited by Mando

I'd like to hear an explanation from Nugs and Bruce, Inc., as to why they picked this show since I can't think of a single reason why when there are so many others to choose. If they managed to crack the technological issue, then they could have picked any other show from 2003--Milan, Gothenberg, Atlantic City, etc.


"I've done my best to live the right way"

Add Reply

Link copied to your clipboard.