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BS

NASSAU VETERANS MEMORIAL COLISEUM
UNIONDALE, NY

 

  • Bruce Springsteen - Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan - Piano, keyboards, accordion; Clarence Clemons - Tenor and baritone saxophones, percussion, backing vocal; Charlie Giordano - Organ, keyboards, accordion; Nils Lofgren - Electric and acoustic guitars, backing vocal; Patti Scialfa - Electric and acoustic guitars; backing vocal; Garry Tallent - Bass; Stevie Van Zandt - Electric and acoustic guitars, mandolin, backing vocal; Max Weinberg: Drums; Curtis King: Backing vocal, tambourine; Cindy Mizelle: Backing vocal; tambourine; Soozie Tyrell - Violin, acoustic guitar, percussion, backing vocal
  • Recorded by John Cooper
  • Mixed by Jon Altschiller; Additional engineering by Danielle Warman
  • Post-Production: Brad Serling and Micah Gordon
  • Artwork design: Michelle Holme
  • Photo by Danny Clinch
  • Tour Director: George Travis
  • Jon Landau Management: Jon Landau, Barbara Carr, Jan Stabile, Alison Oscar
  • HD files are 24 bit/48 kHz

 

SET ONE
01. BADLANDS 06:49
02. NO SURRENDER 04:56
03. OUTLAW PETE 08:30
04. SHE'S THE ONE 05:26
05. WORKING ON A DREAM 07:17
06. SEEDS 06:34
07. JOHNNY 99 06:49
08. THE GHOST OF TOM JOAD 08:28
09. RAISE YOUR HAND 06:50
10. EXPRESSWAY TO YOUR HEART 04:05
11. FOR YOU 07:53
12. RENDEZVOUS 03:05
13. NIGHT 03:33
14. WAITIN' ON A SUNNY DAY 05:44
15. THE PROMISED LAND 06:18
16. THE WRESTLER 05:29
17. KINGDOM OF DAYS 04:19
18. RADIO NOWHERE 03:55
19. LONESOME DAY 04:19
20. THE RISING 05:16
21. BORN TO RUN 08:29

ENCORE
01. HARD TIMES COME AGAIN NO MORE 04:16
02. JUNGLELAND 10:58
03. LAND OF HOPE AND DREAMS - PEOPLE GET READY 07:38
04. AMERICAN LAND 07:56
05. DANCING IN THE DARK 05:37
06. ROSALITA (COME OUT TONIGHT) 09:05

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living is easy with eyes closed

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I got my tix from a fellow that lived near the arena and met Ed there.  We were by the right riser facing the stage.  I had my sign out requesting 'Seven Angels'  Bruce walked over pointed at me and the sign, stating... "that's a good one"  He got my hopes up alas only to be dashed until he happily complied at tour end in 2012 at Connecticut.  I carried that sucker around for a long time. lol

____________________________________

The SPL Rocks!

Prego che tu stia danzando con San Pietro alle porte perlacee del cielo





Pulled up to my house today
Came and took my little girl away!
Giants Stadium 8/28/03



Oats

Source:

https://www.nugs.net/02-07-202...y-to-your-heart.html

 

Expressway To Your Heart

February 07, 2020

 BS

Bruce Springsteen and The E Street Band

Nassau Coliseum, Uniondale, NY, May 4, 2009

By Erik Flannigan

With the Super Bowl just completed, social media reminded us anew about Bruce Springsteen and the E Street Band’s turn in the halftime spotlight back in February 2009. That gig speaks for itself (and will never be confused with Shakira and J-Lo’s even with knee slides), but it also proved to be the catalyst for one of the busiest periods in modern Springsteen history.

With massive TV exposure beckoning, Bruce greenlit a new album and tour mere months beyond the conclusion of his last cycle. After putting out Magic in September 2007 and touring it for the better part of 12 months, Bruce began 2009 with the drop of another studio album, Working on a Dream, followed a week later by the Super Bowl, his most widely viewed performance ever. Barely catching their breath, Springsteen and the band kicked off the WOAD tour on April 1, which would run through November, albeit with new wrinkles.

Nassau Coliseum 5/4/09 presents the first opportunity in the archive series to revisit the WOAD tour in its purest form, the first leg, before the full-album shows of the fall and on a night when Max Weinberg played drums the entire performance.

Max’s son Jay had been drafted to take his sticks while the Mighty One was fulfilling his day job leading the house band for Conan O’Brien’s short-lived stint hosting The Tonight Show. Because he was training his understudy, Max shared the drum stool with Jay for the preceding eight concerts. Max’s full participation at Nassau may be one of the factors energizing this excellent performance which offers a winsome mix of recent material, welcome returns, and a few true surprises.

Let’s get right to the point: The first half of the show is straight fire. There’s a real sense of purpose and focus right out of the gate with a punchy “Badlands” straight into “No Surrender.” Familiar territory, yet sounding mighty fresh indeed, buoyed by the E Street Band in especially fine voice (a good example of details you can only hear in the archive series recordings). Listen for lovely vocals from Soozie and Patti at the top of “No Surrender” and clear evidence of the night’s high spirits: after Bruce sings “Hearts of fire grow cold,” Clarence shouts an affirmative, “YEAH!”

With the show clipping along, Bruce goes all-in for “Outlaw Pete,” and damn if it doesn’t work, as his conviction brings the hokum narrative to life. Springsteen and the band have a rollicking good romp through the mini Western epic, and there’s even a quick nod to “Be True” in the final solo.

A snappy “She’s the One” makes an unusually early and appreciated appearance in the set, continuing the cool E Street vibes. Like “Outlaw Pete,” Bruce digs deep for “Working on a Dream” in what has to be one of the best versions of the song, sounding vital and rich, once again resplendent with background vocals from the band. One of the tour’s hallmarks was Springsteen’s preacher rap in the middle of the title track, and his gospel will surely move you, especially with the The Big Man’s call-and-response intonations so clear and heartfelt.

“Seeds” made a much-appreciated reappearance in 2009, the first E Street Band turn for the song since the Tunnel of Love Express Tour and played in a potent, straightforward arrangement that wraps with inspired guitar soloing. “Johnny 99” marks another WOAD tour return in a full-band version that bears an unmistakable Jerry Lee Lewis flavor. There’s no mistaking the blast the band is having, with Nils taking a sinewy slide guitar solo and Soozie and Patti singing sweet, train whistle “Woo Hoo”s.

Six-string pyrotechnics continue with a showcase for Lofgren on “The Ghost of Tom Joad,” completing the so-called “recession pack” of songs that started with “Seeds.” Thanks to Jon Altschiller’s revealing mix, the song is also a showcase for Roy Bittan, who, unbeknownst to most of us until now, plays a beautiful piano part behind Nils’ soaring solo.

Another distinguishing feature of the WOAD tour was the impact of song-request signs made by the audience. The acknowledgment of these signs organically evolved the show to feature a moment where, during “Raise Your Hand,” Bruce collected signs and decided what requests to grant.

Kismet was definitely in play for the first request granted, the one and to-date only performance of “Expressway to Your Heart,” a minor hit for the Soul Survivors in 1967 written by the legendary Philadelphia songwriting and producing team Gamble & Huff. Anticipating the request, Springsteen and the band rehearsed and soundchecked the song, which helps explain why their one-off version is so bloody good.

Bruce has a rich history of covering minor hits (“Double Shot of My Baby’s Love,” “Little Latin Lupe Lu,” “Mountain of Love”) and making them his own, and “Expressway to Your Heart” joins the pantheon of the best of them. With its irresistible hook and infectious chorus, the song is an instant E Street classic cover worth the price of admission.

The request section goes from strength to strength as a well-oiled “For You” follows “Expressway,” then the tour premiere of “Rendezvous,” an asset to any set list. This wonderful sequence concludes with a fizzing version of “Night.” What more could you want?

The back nine of Nassau 5/4/09 holds up its end of the bargain, too. Some consider “The Wrestler” to be the signature performance on this leg of the tour, and the case is made strongly tonight. The song’s rustic, fleeting majesty is on full display (does anyone else hear hints of U2’s “Kite”?), with Bruce’s voice rough-edged and full of emotion. In hindsight, the story told by “The Wrestler” echoes some of the sentiment expressed first-person in Bruce’s autobiography and Broadway show.

Beckoning Patti to the mic, Bruce changes the mood with a soaring “Kingdom of Days,” pledging his partnership in full voice in this underappreciated song, rare for celebrating love not at its inception, but further on up the road.

A trio of 2000s songs (“Radio Nowhere,” “Lonesome Day” and “The Rising”) carries us to “Born to Run” and the encore, where Bruce speaks nostalgically about how “these old buildings” — arenas like Nassau Coliseum, the Spectrum in Philadelphia, and the Sports Arena in Los Angeles — are “great concert halls” that are being torn down one by one. Springsteen’s history in Nassau Coliseum alone, site of the epic New Year’s Eve 1980 set among others, is significant and resonates through this final performance in the original arena which has since been renovated.

The encore ends, as it should, in joy mode, with “Dancing in the Dark” (in which Garry Talent keeps the time very tight indeed) and “Rosalita.” And surely any performance of “Jungleland” from Clarence’s final tour should be treasured. But it is the first line of a song unique to the WOAD tour, “Hard Times (Come Again No More),” that lingers: “Let us pause in life’s pleasures and count its many tears.”

Following Bruce’s comments about the value of old buildings like Nassau Coliseum and his suggestion to the audience to support Long Island Cares (founded by Harry Chapin), the sentiment of “Hard Times” — making its live archive debut here — is fitting. In early 2020, a time marked by national travails and reminders of how precious and fleeting life can be, the 166-year-old lyric sounds even more like a directive all should heed.

--------------------------------------------------------------------------------

living is easy with eyes closed

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  • BS
Last edited by desa33
Oats posted:

I got my tix from a fellow that lived near the arena and met Ed there.  We were by the right riser facing the stage.  I had my sign out requesting 'Seven Angels'  Bruce walked over pointed at me and the sign, stating... "that's a good one"  He got my hopes up alas only to be dashed until he happily complied at tour end in 2012 at Connecticut.  I carried that sucker around for a long time. lol

It was in 2014 when he complied.

IvanNF posted:
Oats posted:

I got my tix from a fellow that lived near the arena and met Ed there.  We were by the right riser facing the stage.  I had my sign out requesting 'Seven Angels'  Bruce walked over pointed at me and the sign, stating... "that's a good one"  He got my hopes up alas only to be dashed until he happily complied at tour end in 2012 at Connecticut.  I carried that sucker around for a long time. lol

It was in 2014 when he complied.

I was testing you. 

____________________________________

The SPL Rocks!

Prego che tu stia danzando con San Pietro alle porte perlacee del cielo





Pulled up to my house today
Came and took my little girl away!
Giants Stadium 8/28/03



Oats

my whelmed has never been so under

Yeah, I didn't go to it and so there isn't the souvenir factor to make it worth getting. I'd listen to this once out of curiosity and probably never listen to it again. I can think of 100 other shows I'd prefer.  This makes 4 from 2009, yet only 2 from 2008 and 1 from 2007, 1 from 2000, 1 from 1981. And they really are unable to convert any other Rising shows? I won't even begin wondering anymore about what they have prior to 1978.

 


 

"I've done my best to live the right way"

Last edited by LB

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